{"id":12057,"date":"2009-02-23T20:51:00","date_gmt":"2009-02-23T11:51:00","guid":{"rendered":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/12057\/"},"modified":"2009-02-23T20:51:00","modified_gmt":"2009-02-23T11:51:00","slug":"090223","status":"publish","type":"post","link":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/12057\/","title":{"rendered":"[164] \u7b2c\uff11\uff15\u8a71\u300c\u5bc6\u611b\u300d \u5cb8\u60e0\u5b50\u3055\u3093\u304c\u30b2\u30b9\u30c8\u306e\u56de\u306e\u697d\u66f2"},"content":{"rendered":"<p>\u3053\u3093\u3070\u3093\u306f\u3002<\/p>\n<p>\u4f0a\u6771\u3067\u3059\u3002<\/p>\n<p>\u30d2\u30de\u8ab2\u9577\u30fb\u89d2\u7530\u516d\u90ce\uff08\u5c71\u897f\u60c7\u3055\u3093\uff09\u304c\u51fa\u6f14\u3055\u308c\u305f\uff31\u3055\u307e\uff01\u306f\u3044\u304b\u304c\u3067\u3057\u305f\u3067\u3057\u3087\u3046\u304b\uff1f<\/p>\n<p>\u3055\u3066\u3001<font color=\"#ff00ff\" size=\"4\"><strong>\u5cb8\u60e0\u5b50\u3055\u3093<\/strong><\/font>\u304c\u30b2\u30b9\u30c8\u51fa\u6f14\u3055\u308c\u305f\u56de\u300c\u5bc6\u611b\u300d\u3067\u3059\u304c\u3001\u30af\u30e9\u30b7\u30c3\u30af\u697d\u66f2\u306e\u554f\u3044\u5408\u308f\u305b\u304c\u591a\u6570\u5bc4\u305b\u3089\u308c\u307e\u3057\u305f\u306e\u3067\u4e00\u89a7\u3092\u8f09\u305b\u3066\u304a\u304d\u307e\u3059\u3002<\/p>\n<p>\u3042\u304f\u307e\u3067\u3054\u53c2\u8003\u307e\u3067\u3002<br \/>\n\u57fa\u672c\u7684\u306b\u306f\u304b\u304b\u3063\u305f\u9806\u306b\u8f09\u305b\u3066\u3044\u307e\u3059\u3002<\/p>\n<table border=\"1\">\n<col><\/col>\n<tbody>\n<tr>\n<td>\n<div align=\"center\"><strong>\u697d\u66f2\u540d<\/strong><\/div>\n<\/td>\n<td>\n<div align=\"center\"><strong>\u4f5c\u66f2<\/strong><\/div>\n<\/td>\n<td>\n<div align=\"center\"><strong>\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8<\/strong><\/div>\n<\/td>\n<td>\n<div align=\"center\"><strong>CD\u756a\u53f7<\/strong><\/div>\n<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Violin Concerto No.5 in A major, K.219 &quot;Alla Turca&quot;<br \/>\n            -3rd mov.<\/td>\n<td>Mozart<\/td>\n<td>Peter Maag<\/td>\n<td>UCCD 3471<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Symphony No.8 in G Major, Op.88<br \/>\n            IV Allegro ma non troppo<\/td>\n<td>Antonin Dvorak<\/td>\n<td>Carlo Maria Giulini<\/td>\n<td>SICC 239<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Clarinet Quintet A major, K.581 -1st mov.<\/td>\n<td>Mozart<\/td>\n<td>\u3000<\/td>\n<td>UCCD 3471<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Sentenced<\/td>\n<td>Michael Joel<br \/>\n            William Ashford<\/td>\n<td>\u3000<\/td>\n<td>Opus 01.010<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Piano Concerto No.23 in A major, K.488 -2nd mov.<\/td>\n<td>Mozart<\/td>\n<td>Vladimir Ashkenazy<\/td>\n<td>UCCD 3471<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Death Mask<\/td>\n<td>Stanislas Syrewicz<\/td>\n<td>\u3000<\/td>\n<td>CHAP 322<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Informed<\/td>\n<td>Michael Joel<br \/>\n            William Ashford<\/td>\n<td>\u3000<\/td>\n<td>Opus 01.010<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Grave Moment 1<\/td>\n<td>Jean-Louis NEGRO<\/td>\n<td>\u3000<\/td>\n<td>JUST 43<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Murder Point<\/td>\n<td>Daniel Pemberton<\/td>\n<td>\u3000<\/td>\n<td>CHAP 311<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Confusion<\/td>\n<td>Michael Joel<br \/>\n            William Ashford<\/td>\n<td>\u3000<\/td>\n<td>Opus 01.016<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>La Sonnerie de Sainte-Genevieve du Mont de Paris<\/td>\n<td>Marin Marais<\/td>\n<td>Christopher Hogwood<\/td>\n<td>UCCD 3964<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Dark Mind ( Strings Version )<\/td>\n<td>Laurent Juillet<\/td>\n<td>\u3000<\/td>\n<td>KOS 122<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Concerto for Flautino in C major, RV443 -2nd mov.<\/td>\n<td>Antonio Vivaldi<\/td>\n<td>\u3000<\/td>\n<td>UCCD 3964<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Symphony No.5 in C sharp minor -4th mov.<br \/>\n            Adagietto<\/td>\n<td>Gustav Mahler<\/td>\n<td>Christoph von Dohnanyi<\/td>\n<td>UCCD 3964<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Symphony No.8 in G Major, Op.88<br \/>\n            3 Allegretto grazioso<\/td>\n<td>Antonin Dvorak<\/td>\n<td>Ales Barta<\/td>\n<td>OVCL 00303<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Orgelbuchlein &#8211; Ich ruf zu dir, Herr Jesu Christ BWV639<\/td>\n<td>Johann Sebastian Bach<\/td>\n<td>Simon Preston<\/td>\n<td>UCCD 3964<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Symphony No.8 in G Major, Op.88<br \/>\n            IV Allegretto grazioso &#8211; Molto vivace<\/td>\n<td>Antonin Dvorak<\/td>\n<td>Carlo Maria Giulini<\/td>\n<td>SICC 239<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Dark Clusters<\/td>\n<td>W.Plass<br \/>\n            H.Treiber<br \/>\n            M.Prindy<\/td>\n<td>\u3000<\/td>\n<td>SCD 716<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Twilight Epic<\/td>\n<td>John Goldham<br \/>\n            Pete Mason<\/td>\n<td>&nbsp;<\/td>\n<td>FKM 80805<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Violin Concerto No.5 in A major, K.219 &quot;Alla Turca&quot;<br \/>\n            -3rd mov.<\/td>\n<td>Mozart<\/td>\n<td>Peter Maag<\/td>\n<td>UCCD 3471<\/td>\n<\/tr>\n<tr>\n        <\/tr>\n<tr>\n<td>Mysterious Drone<\/td>\n<td>Laurent Juillet<\/td>\n<td>&nbsp;<\/td>\n<td>KOS 189<\/td>\n<\/tr>\n<tr>\n<td>Ein musikalischer Spass, K.522 &#8211; 1st mov.<\/td>\n<td>Mozart<\/td>\n<td>I Musici<\/td>\n<td>UCCD 3471<\/td>\n<\/tr>\n<tr>\n<td>Symphony No.8 in G Major, Op.88<br \/>\n            IV Allegretto grazioso &#8211; Molto vivace<\/td>\n<td>Antonin Dvorak<\/td>\n<td>Carlo Maria Giulini<\/td>\n<td>SICC 239<\/td>\n<\/tr>\n<tr>\n<td>Furious<\/td>\n<td>Ben Cocks<\/td>\n<td>&nbsp;<\/td>\n<td>ATMOS 229<\/td>\n<\/tr>\n<tr>\n<td>Symphony No.5 in C sharp minor -4th mov. Adagietto<\/td>\n<td>Gustav Mahler<\/td>\n<td>Christoph von Dohnanyi<\/td>\n<td>UCCD 3964<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>\u3053\u3093\u3070\u3093\u306f\u3002 \u4f0a\u6771\u3067\u3059\u3002 \u30d2\u30de\u8ab2\u9577\u30fb\u89d2\u7530\u516d\u90ce\uff08\u5c71\u897f\u60c7\u3055\u3093\uff09\u304c\u51fa\u6f14\u3055\u308c\u305f\uff31\u3055\u307e\uff01\u306f\u3044\u304b\u304c\u3067\u3057\u305f\u3067\u3057\u3087\u3046\u304b\uff1f \u3055\u3066\u3001\u5cb8\u60e0\u5b50\u3055\u3093\u304c\u30b2\u30b9\u30c8\u51fa\u6f14\u3055\u308c\u305f\u56de\u300c\u5bc6\u611b\u300d\u3067\u3059\u304c\u3001\u30af\u30e9\u30b7\u30c3\u30af\u697d\u66f2\u306e\u554f\u3044\u5408\u308f\u305b\u304c\u591a\u6570\u5bc4\u305b\u3089\u308c\u307e\u3057\u305f\u306e\u3067\u4e00\u89a7\u3092\u8f09\u305b\u3066 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_expiration-date-status":"","_expiration-date":0,"_expiration-date-type":"","_expiration-date-categories":[],"_expiration-date-options":[]},"categories":[1],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/posts\/12057"}],"collection":[{"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/comments?post=12057"}],"version-history":[{"count":0,"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/posts\/12057\/revisions"}],"wp:attachment":[{"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/media?parent=12057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/categories?post=12057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tvablog.tv-asahi.co.jp\/reading\/aibou\/wp-json\/wp\/v2\/tags?post=12057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}